The next image is of the dug up remains of Mrs Bates in the
cellar. This is the main moment that the film hints at being inspired by Ed
Gein as, like Norman, Gein dressed up like his deceased mother and preserved
her corpse. This would have been even more powerful to audiences in the context
of the film’s 1960 release date. It also shows the theme of loneliness in Psycho
as that is the reason Norman
has gone to such trouble to preserve her.
Hitchcock uses a swinging light bulb to make the corpse
creepier as it animates the mother’s eyes with the distortion of shadows. This
is further enhanced by the creepy, enclosed location of the cellar which gives
the audience a sense of being trapped underground.
The close up of the skeleton’s face is significant as it
shocks the audience further by emphasizing the twist in the plot. It also
unsettles the viewer by being so close to the screen. Later in the film, the final
shot of Norman has this image of the skull imposed onto Norman’s face to leave
the audience uneasy and to connote his split personality.
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